Posts Tagged ‘creative writing’

Old work

I really enjoy reading some of my old work. Stories and articles I was loathe to write during Uni are now some of my absolute most cherished pieces. Others, well…they’re good to laugh at. I found this one recently and thought I’d share it. Maybe it will inspire you to carry it on?

My ears rang as the deep voice spoke. The phone trembled in my hand as I struggled to stay standing. I opened my mouth and strained. Foreign sounds crawled up my throat. Tensed and concentrated, I started to arrange them into syllables and words. They jumped out of me one after another, like peas from a split pod. I put the receiver aside, hardly believing it possible. I began to recite words and sentences, snatches of Mitka’s songs. The voice lost in a faraway village church had found me again and was filling the whole room. I spoke loudly and incessantly, first like the peasants and then like the city folk, as fast as I could, enraptured by the sounds that were heavy with meaning. I convinced myself again and again and again that speech was now mine and that it did not intend to escape through the open window, out the balcony, into the sky. The receiver dropped to the floor with a thud.

My fingers sat lightly on my lips, as if I were blind and feeling the words as they flowed out of my mouth. Knees weak, I sat in a chair next to the bed. For an eternity I sat, my eyes wide and my mouth running, pouring forth words and phrases. Ages since I had spoke in my native language, the words I had learned as a child were foreign to my ears. With my other hand, I found myself reverting to my old form of communication. My fingertips tapped out in a Morse-code type pattern the very words I was speaking. I’m sure Dr. Quinto would have been very interested in this.

An idea swirled into my mind. I have to see this, I thought quickly. Still vocalizing with no particular meaning, I charged the bathroom mirror. I watched my lips twist and purse, the intricate yet basic movements I had witnessed on others every day were now dancing on my face too. I would sometimes get caught on a word or phrase that was particularly enjoyable to say, skipping like a scratched vinyl record.

“Ich möchte Kartoffelsalat werfen wollen. Kartoffelsalat, kartoffelsalat, kartoffelsalat. Wohin geht dieser Bus? Nachzeit, nachzeit.”

If another person had stood witness, they would be sure I was crazy or experiencing some type of mental break. It was quite the opposite. I was euphoric. Each word created another flutter in my stomach, a wave of pleasure with each sentence I was able to form. I have no idea how long it took for me to come down off my high and return to my senses. For a moment, a wave of embarrassment and self-consciousness overcame me at the thought of him overhearing such a private moment and looked to the fallen phone. The line was dead. He hadn’t heard.

My embarrassment was replaced almost immediately by a sense of urgency. I was losing time. I sent a note down to the main desk requesting them to find the number that had just called my room. I was still uneasy about my speech and preferred to keep it private until I was sure I could converse fluently and intelligently. I had survived this long communicating in such ways and I was sure that I could last another few days.

I quickly packed my bags with the bare essentials and just one change of clothing. I retrieved the number from the front desk and had them send a cab for me, telling them I would need a ride to the closest airport. Thanking God, not for the first time, that this was a special care facility and not a hospital, leaving me free to come and go. I thought of informing Dr. Quinto about my sudden departure, then reconsidered. For the first time in my life I was finally doing something by myself, for myself, without the aid of anyone.

After a connecting flight from Montreal to New York, I was on my way for the first time to my birth land. I had not laid eyes on my town since I was 7 years old. The long flight provided me plenty of time to fully reflect on the events that had led me to this return voyage. Not one smile formed as I reminisced.

My father was originally from Canada and had procured his fortune through means unknown to me. I remember him as older, already gray at the temples with a quiet demeanour, but he was not the kind, affectionate father most had growing up. He rarely spoke to me and when he did, it was only in his native French. After my mother’s death, of which I remember nothing, he transplanted us an ocean away with a new family. My father had situated us in a small village in the western corner of Saarland, Germany. Though the town was poor, we were fairly wealthy.

My step-mother was born and raised in Germany. She was a strict woman, and expected nothing but adult behaviour from her children. She had two children from a previous marriage, both of whom were much older than I. We were never allowed to play or joke around as the other children did. Rather, we had chores to complete before and after school and were never allowed any friends to visit, not that I had had any friends to begin with.

I have jet black hair and dark brown eyes while the other children resembled the Aryan race Hitler had strived so dearly for. Coupled with my family’s wealth, our anti-social behaviour in the community, and I looking nothing like the others, I was instantly ostracized, an obvious target.

The turning point in my life came when I was a mere 5 years old. I was walking home from school, daydreaming and drifting behind my brother and sister, when a couple of kids from a neighbouring house grabbed me from behind and pushed me to the ground. After pummelling me with fists and rocks, they left as quickly as they had come. This was the beginning of the torment that would last for years, every day on the way home from school these children would arrive to beat me. Their laughing and giggling still rings in my ears.

The beatings increased in severity, though not always physically. They began to taunt me, to call me names, to drag me into a barn close to the road and threaten me with farm tools. Sometimes there were three or four, but usually there were only two, all boys and all much bigger than I. I was often asked later on in my life why I never told anyone of this abuse and I have never found an answer that satisfies anyone. I simply didn’t think my parents would care and I was fearful I would be punished for my complaining. After all, both my brother and sister had turned their backs on me, why WOULDN’T my parents?

It was on the way home from school, the beginning of a long holiday, when the boys took their abuse to the next level. I had succumbed to their capture, allowing them to drag me to the barn since I was usually hit less if I cooperated. Something was different this time, I could sense a thick tension in their voices the moment they shut the doors to the barn. As my eyes adjusted to the light, I saw a small sheep tied to a stall to my left. The boys weren’t giggling. Their eyes were wide and expectant.

One approached me, waving a long, thin knife in front of his face. The other grabbed my arms and held them behind my back while pulling my hair, exposing my neck. The knife was held to my throat and I was told that it was either my throat or the sheep’s. I was forced to drain the blood of the sheep, to listen to its gurgling pleas as I killed it, but this was the last I remember. Different types of therapy have recovered many of the memories I had blocked, but they are far from pleasant, nor necessary to recount.

Apparently hours had passed when my family finally came searching for me. They found me trembling in the woods, leaning up against a tree beside the road, covered in blood. From that point I had ceased speaking completely. I don’t remember why I stopped to begin with, though the various therapists I have seen have many theories. I do remember that I eventually found the silence comforting.

It was at only one point where I found my voice again. One Sunday in church while my family and the rest of the congregation was singing, I began humming quietly. The humming grew to a light singing, and soon I was singing as loudly as the adults. As the hymn ended, I realized my family and most of the congregation was staring at me. That was the very last time I ever spoke, up until the phone call in the hotel room.

My parents were mystified at my condition. I don’t know if they ever discovered why I was found covered in blood, nor do I know if they ever cared. At that moment I became more than an outcast. I became a burden. After a year of such silence, my step-mother became convinced I was going to infect the rest of the family with my “Geisteskrankheit,” or insanity. I remember that word well. It was repeated often. Rather than argue, my father kept the peace and sent his last blood relative thousands of miles away, back to his home in Canada.

There I stayed with a distant relative and began my therapy sessions with Dr. Quinto. After a decade and barely a word from my family back in Germany, I realized I had been completely abandoned. Dr. Quinto became the only true friend I had ever had.

He pioneered several different techniques with me in order to help others treat traumatized children. Quickly realizing that it was the act of speaking that bothered me, not the actual communication, he began asking me to write in journals. We developed a form of tapping which would function as quick “speaking.” Not quite Morse-code, but similar.

As I felt the plane begin to descend, making its final approach my mind snapped back to the phone call I had received many hours ago. My father’s voice. He still assumed I didn’t speak because he did all the talking. My hand felt for the piece of paper in my pocket containing his phone number.
“Ihre Mutter ist tot. Kommen Sie nach Hause.”

I had always heard that for bi- or multi-lingual people, times of extreme pleasure or anxiety cause them to revert back to their first language. This was such a case. I had learned French, English, and some German but never felt the need to speak. It took my father’s voice, and the knowledge that he had tracked me down and wanted to see me, for my tongue to finally be set free.

I wasn’t sure what I wanted to say to him. I wasn’t sure where even to find him, having not been in the country since I was young. I didn’t even know if I wanted to see the man or what good it would do me.

As the plane landed, I clutched at a black and white marbled notebook. This journal was one of the most important steps in my therapy, according to Dr. Quinto. I knew every word inside because they were my words. It was my life. Now perhaps, I could write its ending. It began; I lived in Marta’s house, expecting my parents to come for me any day, any hour. Crying did not help, and Marta paid no attention to my sniveling.

Posted: April 12th, 2009
Categories: Writing
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Character development

Most authors either love or hate creating characters. Of course you can create the most indepth, loveable (or loathesome) character but they need something to do! Plot is one thing I’ll get into another time, but for now let’s chat about characters.

Best way to get into the right frame of mind is to people watch. Create a history for a total stranger. If you’re starting your story or idea from scratch, you could even just place this character in the middle of some event and see what they do. Personally, I see each character as his or her own person with their own choices and decisions. Sometimes they may even surprise me as to where they choose to go.

If you can touch type, the following method is perfect. If you’re a bit slower or prefer writing by hand the same principles can apply, you simply have to be a bit more disciplined.

Sit at the computer, blank document open, and close your eyes. Visualize the person as if they are standing in front of you. Starting asking them questions, knowing that they will answer you honestly and without reservation. “what makes you smile? what makes you cry? where did you grow up? what are your parents like? what makes you tick?” Just type and let yourself get into the freewriting without any edits or rethinking.

Here’s an unedited example of one freewriting session I did a while back. This character later became a major player in a short story I wrote.

“She looks younger than she is, by 5 years or more. Really, she’s in her middle 40’s, but she won’t set anyone straight who thinks she’s 35. Always been petite. She has an abnormally long torso and relatively short stumpy legs, something she’s been self conscious about for most of her life. She wears high heels to compensate which gives her an unnatural height, as tall as most men. Manicured nails, goes once a week and is starting to learn a little Korean so she can converse with her manicurist. She works behind the counter at Macy’s selling cosmetics, not because she has to, but because she wants to. Few people know she has a BA in political science. Even fewer know that she went to law school. Not even her parents know that she actually did take the bar exam and passed, scoring well above average. She has the desperate look of an older woman clinging to youth, wearing styles that simply don’t suit a woman of her age. This is particularly aggravating because she wants nothing more than to wear the newest styles of the season, but unfortunately this season requires long, stick thin legs. Her hair is blonde, dyed, and constantly changing shape each month. The only thing that dates her is the lipstick she’s been using for two decades now. Some things women just can’t let go of. She says she works at Macy’s because she likes the job, likes helping women find beauty through makeup and feel better about themselves. In truth, she works there so she can feel prettier than those who surround her. Though she did have the brains for law, her heart simply wasn’t in it. She lives in a small apartment about a mile away from the store. It’s decorated in a tacky, tasteful style that better suits Florida, not Chicago. Melon is her favorite color and varying degrees of it flood her one bedroom apartment. There’s no elevator to get to her third floor apartment and she tells herself the walk up is good for her glutes, but she’s unwilling to admit that more days than not she’s too tired to walk up those stairs. Her dining room table is a solid round piece of glass supported by a fake branch of driftwood. She doesn’t entertain often, but when she does it’s a lavish affair and something people gossip about for weeks afterwards. She was married when she was 30, divorced by 32, but in that short span she gave birth to Henry, who would rather live with his father in Oregon. She has a boyfriend of two years who treats her well enough, an attractive older man who is since retired and independently wealthy. She couldn’t care less about the money, yet she does enjoy the lifestyle he brings to her life. More so, she just keeps him around for the sex and to keep people from wondering what a woman her age is doing alone. She’s meticulous about her meals, making sure each one is properly balanced, but she habitually hides candy bars in the glove compartment in her car, eating them whole several times a week as she drives to and from work. In an odd form of exhibitionism, she gets a surge of excitement, guilt, and pleasure in the thought that someone might even see her eating one in the car, might catch the faint smell of chocolate and peanut butter on her breath.”

Posted: March 19th, 2009
Categories: Advice, Writing
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5 tips for every day creativity

1. Read

Not to sound like every teacher you’ve ever had, but reading is probably the most vital thing you can do to stimulate your brain. Reading everything you can get your hands on from fiction to biographies, instructional books to fantasy will make you a well rounded person. Once you get into it, you’ll start to notice correlations between genres and can draw deeper meaning from the world around you. All of this will flow through your writing or art subconsciously, providing a more significant voice to your work.

2. Narrate your day

This may sound silly, but literally walk around one day narrating your activities. If you’ve ever seen Will Ferrell in Stranger than Fiction, you’re on the right track. She sits at her desk, idly tapping her pen as the cursor on the screen blinks condescendingly. Her breathing is deep and relaxed whilst her mind races to solve this important problem. You get the idea. You’ll find that only a few hours will be thinking more creatively, vividly visualizing the scenes you put your characters in.

3. Create back stories for strangers

Whether you’re sitting on the tube or walking to work, we encounter strangers every day. Create a short little story about them on the fly. Where did they grow up? Was it a good childhood? Was that umbrella a gift from a very important person they no longer speak to? Where are they coming from? It’s worth pointing out that you should avoid staring too much ;)

4. Write

Duh. The more you write the better writer you will become. Just like the reading, you’ll have heard this a hundred thousand times. That’s because it’s true! Blog, write a journal, short stories, your novel. It really does not matter because you’re flexing your muscles. Adding to this, I would say make a point of writing at least once a week by pen and paper. Writing on a computer is great but you start to rely on spell check, your typing speed, and the ability to just delete any mistakes. Writing by hand gets you to think ahead, plan your sentences, and remember how to spell!

5. Practice creative hobbies

I’m predominately left-brained but nothing clears my mind like a hard Suduko puzzle. I exercise different parts of my brain when I do my scrapbooking. I want to get into knitting. It’s these little crafty, but still creative hobbies that keep your brain active and working. Doing one thing all the time will become dull, repetitive and pointless.

Posted: March 2nd, 2009
Categories: Advice, Writing
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